Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book Corpus he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chre;tien are discussed, as are Rene; Descartes, Diderot, Maine de Biran, Fe;lix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of (...) class='Hi'>Derrida’s deliberations makes this book a virtual encyclopedia of the philosophy of touch (and the body). Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy’s essay “Deconstruction of Christianity,” devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on “the flesh,” as treated by Merleau-Ponty and others in his wake. Derrida’s critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida’s death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida’s death, is an added feature. (shrink)

In this essay, I argue that Derrida cannot pursue the question of being/following unless he thinks through the question of sexual difference posed by figures of little girls in philosophical texts and in literature, specifically as posed by Lewis Carroll's Alice whom Derrida references in L'animal que donc je suis. At stake in thinking being after animals after Alice is the thought of an other than fraternal following, a way of being-with and inheriting from (other than (...) human) others that calls for an account of development that is not dictated by a normative autotelic and sacrificial logic. I argue that Derrida's dissociation of himself and his cat from Alice and her cat(s) in L'animal que donc je suis causes him to risk repeating the closed, teleological gestures philosophers like Kant and Hegel perpetuate in their accounts of human development. The more sweeping conclusion towards which this essay points is the claim that the domestication of girls and their subjection to familial fates in narratives and the reduction of development to teleology more generally, require the sacrifice and forgetting of ‘nature’, including animals, so that the fates of girls and ‘nature’ are intertwined in the context of projects of human world-building and home-making. (shrink)

Kant’s 1795 essay on perpetual peace has been lauded as one of his most important and influential political texts as well as one of the most important texts on peace. Kant’s text was largely forgotten until the 1980s and 1990s, with numerous commentaries appearing around the time of its 200 years existence. The French philosopher Jacques Derrida’s interest in Kant’s text appears to have arisen around the same time, and his analyses of this text continued (...) class='Hi'>after the turn of the century. The references to Kant’s essay in Derrida’s texts appear mostly in the context of a discussion of the concept of hospitality. The latter concept is understood by Derrida as including both a demand for absolute hospitality, that is, hospitality without the imposition of any limitations, as well as a demand, in the interests of survival, for such limitations or conditions. A negotiation between these dimensions of hospitality is ultimately required. The aim of this article is to elucidate Derrida’s analysis of Kant’s essay, specifically his recasting of the concept of peace as absolute hospitality, as well as to briefly outline its implications for international and cosmopolitan law. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Christopher Norris HOME THOUGHTS FROM ABROAD: DERRIDA, AUSTIN, AND THE OXFORD CONNECTION THERE IS NO philosophical school or tradition that does not carry along with it a background narrative linking up present and past concerns. Most often this selective prehistory entails not only an approving account of ideas that fit in with the current picture but also an effort to repress or marginalize anytíiing that fails so to (...) fit. Bertrand Russell's History Of Western Philosophy is one fairly blatant example of mis strategy at work.1 The story it tells is a Whiggish account of how drinkers managed — against all the odds of metaphysical delusion — to come out at last (with Russell and his peers) on the high plateau oflogical consistency and truth. On the way to this dénouement Russell avails himself ofvarious techniques for pointing up die narrative drift. His coverage takes in all the accredited "major" thinkers, some of whose opinions Russell is hard put to summarize without remarking how nonsensical they appear from a modern (logical) point of view. Elsewhere — as with Leibniz or Kant — he takes the more accommodating line of winnowing out the structures of valid argument and consigning what remains to the history of dead metaphysical abstractions. It is this latter technique that has characterized the approach of analytical philosophers to the history of their discipline. The question is not so much, what did these drinkers mean or knowingly hope to achieve by posing the issues as they did? Rather it is to ask what techniques exist for translating their concerns into an up-to-date idiom based upon certain (mainly linguistic) terms of analytical enquiry. P. F. Strawson's revisionist reading of Kant is probably the best-known example of how such techniques can be used to achieve a distinctively modern understanding of otherwise recalcitrant texts.2 What remains of Kant after this cleaning-up 2 Philosophy and Literature operation is still "metaphysics" of a kind, but relieved of its excess conceptual baggage and couched (as Strawson would claim) in a "descriptive" rather than a "prescriptive" idiom. Thus philosophy comes to terms with its own errant precursors by explaining what they would presumably have said if equipped with die latest analytical tools. The result of such meuiods is to rewrite intellectual history from a standpoint of self-assured logical grasp where present concerns decide what shall count as the relevant or useful aspects ofpast tradition. And the same selective process goes to construct that typecast narrative which treats the "British" and die "Continental" styles of philosophizing as two completely separate, indeed antagonistic lines of descent. Thus it is taken for granted that the two sides are so far apart, with so little in the way of shared methods and assumptions, mat any kind of dialogue is certain to produce mere bafflement or cross-purpose talk. British philosophers with an interest in "Continental" theory feel themselves forced into a marginal role by the highly professionalized ethos that prevails within their discipline. This feeling is only strengthened by their more or less accepting the background mythology that explains how the two "traditions" grew up in a state of hostility often amounting to downright mutual contempt. There are several different versions of this story at present, but they all serve equally to reinforce the sense of incommensurable aims and languages. One (the "ordinary language" version) takes its lead from the later Wittgenstein in arguing that most of the problems that have long vexed philosophers — and continue to vex those "Continental" thinkers — result from dieir use ofa poindess metaphysicaljargon which puts them at odds with the commonsense wisdom of everyday usage. On this account, such thinkers have failed to learn the lesson bequeaüied by a long tradition of misguided speculative thought. They have persisted in errors and delusions of their own creating, hooked on a kind of malign verbal magic — "bewitchment by language," as Wittgenstein described it — which prevents them from seeing the plain sense ofthings. The other exemplary narrative is Uiat which takes not "ordinary language" but logic (or the modern refinements oflogic introduced by philosophers like Frege) as its reference point for deciding which episodes ofprevious or subsequent diought are to... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.4 (2002) 547-548 [Access article in PDF] Book Review Kant, Art and Art History: Moments of Discipline Mark A. Cheetham. Kant, Art and Art History: Moments of Discipline. New York: Cambridge University Press, 2001. Pp. x + 222. Cloth, $55.00. Mark Cheetham's thorough and insightful new work investigates Kant's continuing influence on the visual arts, both in practice and as (...) defined by the academic discipline of art history. Cheetham argues that until now the art world and art history proper have suppressed the importance of Kant, treating him as an intrusive outsider. He explains that this marginalization may have come about as a consequence of tendencies within Kant's own [End Page 547] work that threaten either to abolish disciplinary boundaries or reestablish them under the protective umbrella of philosophy. His close readings of Kant, therefore, address the way the Kantian system is based on the maintenance of boundaries between the pure and the impure, and how Kant's work continues to restructure institutional boundaries for precisely these reasons. With regard to both art and art history, Cheetham writes, "Kant is a perpetual boarder and the architect of borders" (22). Cheetham builds his study on such insights, drawn from Kant's own discussion of the parergon, or the boundaries between the essential and the inessential. From beginning to end, the work is well-considered and thoughtful, not only as an exploration of disciplinary boundaries, but as a book that brings out a number of still under-researched themes in Kant's oeuvre.The work's first close readings examine Kant's reception among a circle of German-speaking artists and writers in Rome shortly after 1800, including the painter Jakob Asmus Carstens and the artist-turned-critic Carl Ludwig Fernow. This chapter calls attention to connections between abstract and specifically political freedoms in Kant's system, casting light on Napoleon's effect on Europe. Those principally interested in aesthetic questions, however, may find this part of the text to be somewhat less dynamic than its subsequent sections. The following chapter is more engaging, exploring some well-known moments in Kant's twentieth-century reception. Cheetham brings out the ways that Erwin Panofsky shared affinities with Kant insofar as one might take humanism to have been the latent driving force in their work. Cheetham's most interesting insights come from his contention that the writings of Paul Crowther attempted to preserve and protect a "pure" Kant for disciplinary reasons, and that he therefore strictly controlled Kant's influence in the area of art history. The work here points in the direction of a social-historical exploration of the University, and he could certainly have expanded this section to develop a more overarching critique of contemporary disciplinary boundaries. Cheetham's attempt to review Clement Greenberg's relationship to Kant's work is also stimulating, particularly the section in which he reads Greenberg's efforts to combat kitsch in relation to Kant's "What is Enlightenment?"In his most engaging chapter, Cheetham deals with the contemporary discourse around sublimity, analyzing the way both Derrida and Kant are obsessed with the legislation of borders. He makes a brief, though studied comparison between Kant and Derrida on the role and function of limits, and here makes it clear that he takes substantial distance from Derrida's own project. The book's high point is Cheetham's study of a landscape painting by Joseph Anton Koch. It may indeed leave some readers wishing that Cheetham had done more close readings of Romantic art. He then looks at some sublime tendencies in art today, and the means by which contemporary artists obscure both the standpoint of the observer and the boundaries surrounding art itself. In one section, he looks at the work of the collective known as General Idea and that of the artist Sheila Ayearst. This is fascinating material, although some may find his definition of the sublime to have been too broad. It is made to hold the bulk of contemporary art. Cheetham might have done... (shrink)

After Enlightenment: Hamann as Post-Secular Visionary is a comprehensive introduction to the life and works of eighteenth-century German philosopher, J. G. Hamann, the founding father of what has come to be known as Radical Orthodoxy. Provides a long-overdue, comprehensive introduction to Haman's fascinating life and controversial works, including his role as a friend and critic of Kant and some of the most renowned German intellectuals of the age Features substantial new translations of the most important passages from across (...) Hamann's writings, some of which have never been translated into English Examines Hamann's highly original views on a range of topics, including faith, reason, revelation, Christianity, biblical exegesis, Socrates, theological aesthetics, language, sexuality, religion, politics, and the relationship between Judaism and Christianity Presents Hamann as the 'founding father' of a distinctly post-modern, post-secular theology and, as such, as an alternative to the 'postmodern triumvirate' of Nietzsche, Heidegger, and Derrida Considers Hamann's work as a touchtone of modern Jewish-Christian dialogue, in view of debates with his friend Moses Mendelssohn Explores Hamann's role as the visionary founder of a 'metacritical' movement that radically calls into question the basic principles of modern secular reason, and thus reprises the debate between those defending Hamann's views and those labeling him the bête noir of the Enlightenment. (shrink)

In _Thinking After Heidegger_, David Wood takes up the challenge posed by Heidegger - that after the end of philosophy we need to learn to _think_. But what if we read Heidegger with the same respectful irreverence that he brought to reading the Greeks, Kant, Hegel, Husserl and the others? For Wood, it is Derrida's engagements with Heidegger that set the standard here – enacting a repetition through transformation and displacement. But Wood is not content to (...) crown the new king. Instead he sets up a many-sided conversation between Heidegger, Hegel, Adorno, Nietzsche, Blanchot, Kierkegaard, Derrida and others. Derrida and deconstruction are first critically addressed and then drawn into the fundamental project of philosophical renewal, or renewal _as_ philosophy. The book begins by rewriting Heidegger's inaugural lecture, 'What is Metaphysics?' and ends with an extended analysis of the performativity of his extraordinary _Beitrage_. _Thinking after Heidegger_ will be a valuable text for scholars and students of contemporary philosophy, literature and cultural studies. (shrink)

Putting God First: Jewish Humanism after Heidegger tackles the challenge of maintaining Jewish identity in a world dominated by Western humanism. It argues that the Holocaust reflects more broadly on contemporary humanism than the Jewish world has ever dared to acknowledge. It advances the view that the establishment of the State of Israel presents a profound historical opportunity to disentangle Jewish thought from elements of the Western humanist tradition that threaten Jewish survival and conceal from view the plausibility of (...) core Jewish ideas and values. The work proposes that a healthy and peaceful relationship between Westernism and a robust Jewish identity can be achieved only by unraveling the two, and it presents a philosophical path for achieving this. Following a precise analysis of modern and postmodern thought that includes discussions of Immanuel Kant, Jacques Derrida, Michel Foucault, Ludwig Wittgenstein, George Steiner, Bruno Latour, Hannah Arendt, Jonathan Haidt, Daniel Kahneman, and others, the centerpiece of the book offers a close reading of the masterwork Being and Time, which Martin Heidegger composed in the period when his thought was gravitating toward his endorsement of Hitler and Nazism. This deep dive into Heidegger's ontological understanding of how the individual (Dasein) interacts with others in space and time yields a method for articulating the onto-theological meanings of key Jewish concepts such as the Nefesh (psyche), the Neshamah (soul), Tzelem Elohim (human being in God's image), Am Segulah, (Jewish chosenness), Shabbat, the Land of Israel, and more in texts such as the Tanya, the Sefat Emet, the Nefesh HaChayim, the Kedushat Levi, and in the writings of Rav Kook and the Maharal of Prague. Ultimately the book proposes a disentangled spiritual/political vision for a Jewish state that is characterized by the politics of Tikun Olam" -- From the publisher. (shrink)

In this paper I consider Derrida’s anathematization during the 1992 "Cambridge affair" in the light of the 1270 and 1277 condemnations of unorthodox philosophical theses by the bishop of Paris, Etienne Tempier, the inventor of double truth. In particular, I compare these two occurrences through a reading of modernities as a re-centring on the new orthodoxy of naturalistic ontology, which began to take place in the 17th century. After the Humean attack, Kant recast such a naïve naturalistic (...) objectivity into a more defendable shape, by internalizing the supposed universal spatio-temporal structure of Newtonian physics as transcendental conditions of possibility. Though the Kantian ontological and theological legacy is still detectable in Derrida's quasi-concept of iterability, Derrida's theoretical contributions well exceed metaphysical discourse. More generally, I argue that during the last fifty years these contributions, together with contemporary reconsiderations of modernities, produced an emerging theoretical region. Within this region, the metaphysical chain of substitution of centre for centre is displaced, so that we can evaluate practices of exclusion without having to rely on alternative injunctions. (shrink)

Gerhard Richter's groundbreaking study argues that the concept of "afterness" is a key figure in the thought and aesthetics of modernity. It pursues questions such as: What does it mean for something to "follow" something else? Does that which follows mark a clear break with what came before it, or does it in fact tacitly perpetuate its predecessor as a consequence of its inevitable indebtedness to the terms and conditions of that from which it claims to have departed? Indeed, is (...) not the very act of breaking with, and then following upon, a way of retroactively constructing and fortifying that from which the break that set the movement of following into motion had occurred? The book explores the concept and movement of afterness as a privileged yet uncanny category through close readings of writers such as Kant, Kafka, Heidegger, Bloch, Benjamin, Brecht, Adorno, Arendt, Lyotard, and Derrida. It shows how the vexed concepts of afterness, following, and coming after shed new light on a constellation of modern preoccupations, including personal and cultural memory, translation, photography, hope, and the historical and conceptual specificity of what has been termed "after Auschwitz." The study's various analyses—across a heterogeneous collection of modern writers and thinkers, diverse historical moments of articulation, and a range of media—conspire to illuminate Lyotard's apodictic statement that "after philosophy comes philosophy. But it has been altered by the 'after.'" As Richter's intricate study demonstrates, much hinges on our interpretation of the "after." After all, our most fundamental assumptions concerning modern aesthetic representation, conceptual discourse, community, subjectivity, and politics are at stake. (shrink)

The deconstructionist return to Kant was celebrated April 24-26, 1986 at the University of Minnesota, in a conference titled “In the Wake of Kant: Philosophy after the Third Critique.” Among those present were Lyotard and Derrida, along with a host of literary critics and some scattered philosophers. The “wake” did not turn out to be either the smooth path left by a mighty ocean liner nor the well-oiled Irish kind known to lovers of Studs Lonigan. It (...) was an exhausting talk-fest. The results however were banal, perhaps because the organizers' original idea of informality and short presentations were checked by the large size of the audience (and the corresponding size of the egos of some speakers). (shrink)

Critically engaging the work of Immanuel Kant, Hannah Arendt, Martin Heidegger, and Jacques Derrida together with her own observations on contemporary politics, environmental degradation, and the pursuit of a just and sustainable world, Kelly Oliver lays the groundwork for a politics and ethics that embraces otherness without exploiting difference. Rooted firmly in human beings' relationship to the planet and to each other, Oliver shows peace is possible only if we maintain our ties to earth and world. Oliver begins (...) with Immanuel Kant and his vision of politics grounded on earth as a finite surface shared by humans. She then incorporates Hannah Arendt's belief in plural worlds constituted through human relationships; Martin Heidegger's warning that alienation from the Earth endangers not only politics but also the very essence of being human; and Jacques Derrida's meditations on the singular worlds individuals, human and otherwise, create and how they inform the reality we inhabit. Each of these theorists, Oliver argues, resists the easy idealism of world citizenship and globalism, yet they all think about the earth against the globe to advance a grounded ethics. They contribute to a philosophy that avoids globalization's totalizing and homogenizing impulses and instead help build a framework for living within and among the world's rich biodiversity. (shrink)

Towards the unconditioned: Kant, Epicurus and Glückseligkeit -- Arendt and the time of the pardon -- Kant, evil, and the unconditioned -- Judgment after Derrida.

Thinking after Derrida and Deconstruction.

This book provides an account of ethical restoration in situations that bring ethical and political questions together. It shows how punishment as well as forgiveness and reconciliation are necessary to properly restore peace and justice in both transitional and democratic societies.

The aim of this article is to examine ways in which localized research runs the risk of becoming a boundary discourse in a negative sense. The exaggerated emphasis on immanent critique, contextualization and incommensurability may lead discourse and disciplines to an isolationist self-understanding that leaves unchallenged or even entrenches existing discursive hegemonies. Or, it may side with the kind of facile and hasty fusion of discourses and disciplines that ignores epistemic demands and concerns for validity and semantic accuracy. That is, (...) it may overlook the necessity for positively understood discursive boundaries. Clearly demarcated, a-porous boundaries block osmosis and fruitful exchange and facilitate what is called here ?stronghold fortification?. And they make common cause with a disregard for all boundaries, i.e. with what is called here ?frame demolition?. Discourses of educational research, and particularly of ?special? versus ?inclusive? education, supply examples that are all the more telling since the very possibility of pedagogy reminds us that relativism is not an option here. To discuss interdisciplinarity and discursivity with an eye to such risks, I refer to Habermas? outlook on the position of philosophy after Kant alongside Derrida's rethinking of the right to philosophy ? a rethinking that is grounded in a reading of Kant's cosmopolitical point of view. (shrink)

It has recently been argued that Derrida's work is thoroughly atheistic, which seems to put any dialogue between Derrida and theology out of play. However, such arguments forget that to forbid the impossible outright is as much to be a slave to metaphysics as to presume that one could attain to it in language. Here I revisit the relationship between deconstruction and negative theology, and reconsider utilising Derrida to think God as the impossible. Arguing that thinking God (...) in the absolute future still cannot sustain theology, I suggest how Derrida's work might nevertheless open onto the possibility of revelation. (shrink)

_Hegel After Derrida_ provides a much needed insight not only into the importance of Hegel and the importance of Derrida's work on Hegel, but also the very foundations of postmodern and deconstructionist thought. It will be essential reading for all those engaging with the work of Derrida and Hegel today and anyone seeking insight into some of the basic but neglected themes of deconstruction.

Written on Derrida's "'Le Parjure,' Perhaps: Storytelling and Lying," this essay takes the concept of the anacoluthon from Derrida's text and—commenting on the figure of the woman in this male lineage—further invents the concept of the anacoluthon by demonstrating how its formal linguistic definition provides a model for the event of reading and writing—of thinking—that Derrida so admires in Hillis Miller's work and practices in his own. By employing this same reading practice in its own thinking, this (...) essay does not respond to Derrida's death in mourning, nor in thinking about mourning, but in the memory of thought. Produced out of Derrida's work, the essay remains faithful to him only by simultaneously being faithful and unfaithful, thereby enacting the agrammaticality of following represented in and by the anacoluthon. (shrink)

Contributed articles previously published in several journals on the philosophy of Jacques Derrida, 1930-2004.

Stel dat een inbreker bij jou thuis alleen de lijsten van de kunstwerken zou wegnemen, en niet de werken zelf. Wat zou er veranderen in je omgang met de kunst? Met dat gedachte-experiment opent de Franse filosoof Jacques Derrida het essay Parergon. Parergon betekent bijzaak in het Grieks. Zoals bijvoorbeeld de lijst van het schilderij, of het kader van een opgehangen foto. Ze behoren niet tot het kunstwerk. En toch zijn ze van groot belang voor hoe het werk bekeken (...) wordt. De belangwekkende tekst van Derrida uit 1974 geeft een centrale rol aan de bijzaak van het kader. Met filosofische acrobatie maneuvreert de denker tussen de grote klassiekers van de kunstfilosofie: Plato, Kant, Hegel en Heidegger. Hij gaat op een speelse manier met hun erfenis om. Woorden worden omgedraaid. Passages die op het eerste gezicht bijzaak lijken, maakt hij tot hoofdrolspelers van zijn betoog. Dit boek presenteert Derridas belangrijkste tekst over beeldende kunst voor de eerste keer in Nederlandse vertaling. Het boek is vormgegeven door de spraakmakende ontwerpster Ines Cox. Vertaler Ben Overlaet schreef een nawoord dat de tekst van de nodige filosofische en historische context voorziet. (shrink)

Over the last years, there has been a steady stream of books published on deconstruction and the work of Jacques Derrida in addition to the many books by Derrida himself. Derrida’s death on 8 October 2004 in no way stopped this wealth of publications, including texts on Derrida, deconstruction, and politics. There have been a number of books on Derrida,1 including edited volumes,2 and there is now a Derrida journal, Derrida Today. This is (...) in addition to posthumously published works by Derrida himself, of which The Beast and the Sovereign will be of most interest to this journal’s readers.3 Much of this literature links deconstruction and Derrida’s writings to politics. This may be in part because of Derrida’s own engagement with political concepts and institutions in his later work, but may also be a reaction to the emergence of new political phenomena (e.g. international terrorism of the al-Qaeda type) which in turn creates a need to rethink traditional concepts (e.g. sovereignty). Interestingly much of this literature on deconstruction and politics comes not from political scientists, but from other disciplines, including philosophy, comparative literature, and law. This includes the two books under review here*Mustapha Che´rif ’s Islam and the West and Martin McQuillan’s Deconstruction After 9/114*neither of which is written by a political scientist. As is the case with many other contemporary texts on Derrida, these two books examine how Derrida and deconstruction can help us understand contemporary political phenomena. The two books both address issues related to the signifiers ‘9/11,’ ‘Islam,’ and ‘the West,’but they also question the received meanings of those signifiers, for instance, the idea of ‘Islam’ as a monolith and as the Other of ‘the West.’ (Published: 4 December 2009) Citation: Ethics & Global Politics, Vol. 2, No. 4, 2009, pp. 383–388. DOI: 10.3402/egp.v2i4.2108. (shrink)

Psyche: Inventions of the Other is the first publication in English of the twenty-eight essay collection Jacques Derrida published in two volumes in 1998 and 2003. Advancing his reflection on many issues, such as sexual difference, architecture, negative theology, politics, war, nationalism, and religion, Volume II also carries on Derrida's engagement with a number of key thinkers and writers: De Certeau, Heidegger, Kant, Lacoue-Labarthe, Mandela, Rosenszweig, and Shakespeare, among others. Included in this volume are new or revised (...) translations of seminal essays (for example, "Geschlecht I: Sexual Difference, Ontological Difference," "Geschlecht II: Heidegger's Hand," "How to Avoid Speaking: Denials," and " Interpretations at War : Kant, the Jew, the German"). (shrink)

Demenageries, Thinking (of) Animals after Derrida is a collection of essays on animality following Jacques Derrida's work. The Western philosophical tradition separated animals from men by excluding the former from everything that was considered “proper to man”: laughing, suffering, mourning, and above all, thinking. The “animal” has traditionally been considered the absolute Other of humans. This radical otherness has served as the rationale for the domination, exploitation and slaughter of animals. What Derrida called “la pensée de (...) l'animal” (which means both thinking concerning the animal and “animal thinking”) may help us understand differently such apparently human features as language, thought and writing. It may also help us think anew about such highly philosophical concerns as differences, otherness, the end(s) of history and the world at large. Thanks to the ethical and epistemological crisis of Western humanism, “animality” has become an almost fashionable topic. However,Demenageries is the first collection to take Derrida's thinking on animal thinking as a starting point, a way of reflecting not only on animals but starting from them, in order to address a variety of issues from a vast range of theoretical perspectives: philosophy, literature, cultural theory, anthropology, ethics, politics, religion, feminism, postcolonialism and, of course, posthumanism. (shrink)

"In this densely imbricated volume Derrida pursues his devoted, relentless dismantling of the philosophical tradition, the tradition of Plato, Kant, Hegel, Nietzsche, Husserl, Heidegger--each dealt with in one or more of the essays. There are essays too on linguistics (Saussure, Benveniste, Austin) and on the nature of metaphor ("White Mythology"), the latter with important implications for literary theory. Derrida is fully in control of a dazzling stylistic register in this book--a source of true illumination for those prepared (...) to follow his arduous path. Bass is a superb translator and annotator. His notes on the multilingual allusions and puns are a great service."--Alexander Gelley, Library Journal. (shrink)

In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality (...) of the singular and exceptional moment, and the problem of exemplarity. The second half of this book contains an essay by Maurizio Ferraris, in which he explores the questions of indication, time and the inscription of the transcendental in the empirical. A work of outstanding philosophy and scholarship, the essay is developed in close proximity to Derrida and in dialogue with figures such as Plato, Aristotle, Plotinus, Kant, Hegel and Heidegger. It thereby provides a useful introduction to the philosophy of one of Italy's most prominent philosophers as well as an excellent complement to Derrida's own ideas. A Taste for the Secret consists of material that has never before appeared in English. It will be of interest to second-year undergraduates, graduate students and academics in philosophy, modern languages, literature, literary theory and the humanities generally. (shrink)

This Ph.D. thesis is, in large part, a deepening of my M. A. dissertation, entitled: "Différance Beyond Phenomenological Reduction (Epoché)?" - an edited version of which was published in The Warwick Journal of Philosophy, Vol. 2, Issue 2, 1989. The M. A. dissertation explores the development of the various phases of the movement of epoché in Edmund Husserl's phenomenology and its relevance for Jacques Derrida's project of deconstruction. The analyses not only attend to the need for an effective propaedeutic (...) to an understanding of phenomenology as method, they also serve to demystify the logics of Derridean non-teleological strategy by explaining the sense of such a manoeuvre - as a kind of maieutic response to the Husserlian project - which operates within the horizon of a radical epoché. According to this orientation, Derrida's deconstruction of phenomenology is permitted to open itself up to a phenomenology of deconstruction. This doctoral thesis develops these analyses and utilizes a form of critique that points the way to the possibility of a phenomenological-deconstruction of the limits of Derrida's project of deconstruction through the themes of epoché, play, dialogue, spacing, and temporalization. In order to trace the resources from which he draws throughout the early development of deconstruction, this study confines itself to a discussion on the texts published between 1962 and 1968. This subjection of deconstruction to a historical de-sedimentation of its motivational, methodological, theoretical, and strategic moments, involves a certain kind of transformational return to the spacing between phenomenology and deconstruction that urgently puts into question the alleged supercession of phenomenology by deconstruction. The expression of such a 'beyond' is already deeply sedimented in contemporary deconstructive writing to the point at which it is now rarely even noticed, let alone thematized and brought into question. This conviction (regarding the transgression of phenomenology by deconstruction) traces itself out in the form of an attitude to reading which is, in fact and in principle, counter to D6rrida's own call for care. The meaning and limits of the very terms, transgression, beyond, supercession, etc., must be continually subjected to deconstruction. The notions of play, dissemination and supplementarity - with the concomitant sense of transformational repetition that defines them - do not function as a mere excuse for lack of scholarly rigour. Deconstruction is a movement of critical return, which must insert itself (with a sense of irony) within the margins and intersections of that which gives itself up to this practice of textual unbuilding. The strategy of play encourages the structural matrix of that with which it is engaged to turn in upon itself, exposing its limits and fissures in a kind of textual analogue to a psychoanalysis. To be sure, this does involve a certain kind of violence -a violation of the ( system's' own sense of propriety (what is proper [propre] and closest to itself) -but in no sense is this an anarchical celebration of pure destruction. We speak rather of irony, parody, satire, metaphor, double-reading and other tactical devices, which permit a reorganization of the deconstructed's (textual analysand's) self-relation and the possibility of playful speculation. Such play demands care and vigilance in regard to the appropriation of the logics of the system with which it is in a relation of negotiation. In order to play well, one must learn the game-rules. (shrink)

This volume deals with the relation between Derrida and Neoplatonism , presenting that relation in the form not only of the actual reading of Neoplatonism by Derrida but also of a hypothetical reading of Derrida by Neoplatonism.

The purpose of the Cambridge edition is to offer translations of the best modern German edition of Kant's work in a uniform format suitable for Kant scholars. This volume is the first to assemble in historical sequence the writings that Kant published between 1783 and 1796 to popularize, summarize, amplify and defend the doctrines of his masterpiece, the Critique of Pure Reason of 1781. The best known of them, the Prolegomena, is often recommended to beginning students, but (...) the other texts are also vintage Kant and are important sources for a fully-rounded picture of Kant's intellectual development. As with other volumes in the series there are copious linguistic notes and a glossary of key terms. The editorial introductions and explanatory notes shed light on the critical reception accorded Kant by the metaphysicians of his day and on Kant's own efforts to derail his opponents. (shrink)

Stephen Gersh's Being Different: More Neoplatonism after Derrida continues his earlier project ) of reading the philosophy of late antiquity in a critical encounter with Jacques Derrida's deconstruction of Platonism.

Maclntyre's refurbishing of Aristotelian ethics aims to restore both intelligibility and rationality to moral discourse. In After Virtue he concentrates on showing how intelligible action requires that lives be led within institutional and cultural traditions. But he does not offer a developed account of practical reason which could provide grounds for seeking some rather than other intelligible continuations of lives and traditions. Despite Maclntyre's criticisms of Kant's ethics, a Kantian account of practical reasoning may complement his account of (...) intelligibility. An appropriate interpretation of Kantian ethics is outlined, which escapes Maclntyre's criticisms, allows both for the universal character of basic moral principles and for the historical variability of intelligible action, and which makes moral worth or virtue the centre of the moral life. The refurbishing of Aristotelian ethics may be achieved by a Kantian completion. (shrink)

Cette communication proposee a un colloque franco-Americain est l'analyse de la situation philosophique francaise actuelle. Apres quelques considerations sur la signification politique et historique d'un colloque international de philosophie, L'auteur pose la question de l'homme et de ses fins (au sens a bigu de mort et de finalite), Telle qu'elle fascine la philosophie francaise aujourd'hui. Pour comprendre en quels termes se pose aujourd'hui cette question en france, Il faut tenir compte de la lecture qui a ete faite par les deux (...) dernieres generations de kant, Hegel, Husserl et heidegger. A un premier niveau, Cette lecture a meconnu, De maniere tres significative, La critique de l'anthropologisme, Sinon de l'humanisme, Qui est a l'oeuvre chez ces quatre philosophes. Les principaux arguments de cette critique sont reconstitues au cours d'une premiere etape. Mais a un deuxieme niveau, Il apparait qu'un humanisme profond soutient cette critique. Demonstration en est faite, Avec une attention particuliere en ce qui concerne heidegger, Dont la situation est plus difficile et plus decisive. C'est cette dermiere analyse qui est presupposee par toute la critique de l'humanisme qui domine aujourd'hui en france. (shrink)

Seeing Animals after Derrida marks a shift in studies of visuality in animal philosophy. Presenting an emergent set of questions for animal studies scholars, this volume intervenes in recent debates of the nonhuman turn that have been incited in the wake of a post-deconstructionist era.

Aesthetic alienation may be described as the paradoxical relationship whereby art and truth have come to be divorced from one another while nonetheless remaining entwined. J. M. Bernstein not only finds the separation of art and truth problematic, but also contends that we continue to experience art as sensuous and particular, thus complicating and challenging the cultural self-understanding of modernity. Bernstein focuses on the work of four key philosophers—Kant, Heidegger, Derrida, and Adorno—and provides powerful new interpretations of their (...) views. Bernstein shows how each of the three post-Kantian aesthetics to construct a philosophical language that can criticize and displace the categorical assumption of modernity. He also examines in detail their responses to questions concerning the relations among art, philosophy, and politics in modern societies. (shrink)

Is Europe's continuing crisis merely a financial one? Tackling issues ranging from Europe's legal, institutional and cultural identity to its border, citizenship and integration policies, and looking forward to its legacy for the future, the contributors to this volume interrogate the various dimensions and contours of the European crisis. By revisiting Derrida's diagnosis of the crisis of European identity, they simultaneously propose a new direction for Europe, and an alternative response to today's crisis.

Until relatively recently, Jacques Derrida was seen by many as nothing more than the high priest of Deconstruction, by turns stimulating and fascinating, yet always somewhat disengaged from the central political questions of our time. Or so it seemed. Derrida's "political turn," marked especially by the appearance of Specters of Marx, has surprised some and delighted others. In The Politics of Friendship Derrida renews and enriches this orientation through an examination of the political history of the idea (...) of friendship pursued down the ages. Derrida's thoughts are haunted throughout the book by the strange and provocative address attributed to Aristotle, "my friends, there is no friend" and its inversions by later philosophers such as Montaigne, Kant, Nietzsche, Schmitt and Blanchot. The exploration allows Derrida to recall and restage the ways in which all the oppositional couples of Western philosophy and political thought--friendship and enmity, private and public life--have become madly and dangerously unstable. At the same time he dissects genealogy itself, the familiar and male-centered notion of fraternity and the virile virtue whose authority has gone unquestioned in our culture of friendship and our models of democracy. The future of the political, for Derrida, becomes the future of friends, the invention of a radically new friendship, of a deeper and more inclusive democracy. This remarkable book, his most profoundly important for many years, offers a challenging and inspiring vision of that future. (shrink)

Este ensayo intenta abordar las complejas diferencias entre Martin Heidegger y Jacques Derrida. Se concentra en las suposiciones fundamentales involucradas en la lectura de Ser y Tiempo de Heidegger y la “célebre” reciente atención de Derrida a este texto. ¿Acaso el trabajo temprano de Heidegger está esencialmente manchado por la “metafísica de la presencia”, tal y como Derrida quiere sugerir? Después de trazar la interpretación de Derrida, el autor intenta mostrar cómo los lectores de Ser y (...) Tiempo no necesitan sucumbir ante las críticas de Derrida. (shrink)

In this essay Derrida reflects, for the first time at length, on secularization as a historical process. Whereas his earlier writings on religion focus on Jewish and Christian authors who blur the boundaries of religious belonging, this essay directly questions the categories of religion and secularization. Against this background, Derrida revisits the work of Kant, Voltaire, Nietzsche, and Heidegger, and he reflects on his own engagement with messianism, negative theology, and the khôra.

. The survival of truth after Derrida. Cultural Values: Vol. 4, No. 1, pp. 127-134.

It is important for the materialist historian, in the most rigorous way possible, to differentiate the construction of a historical state of affairs from what one customarily calls its "reconstruction." The "reconstruction" in empathy is one- dimensional. "Construction" presupposes "destruction." Almost fourteen years after the death of Jacques Derrida, the least one can say is that his inheritance is as contested and fraught with rivalries, rejections, and appropriations as at the time of the flowering of Deconstruction in American (...) universities in the seventies and eighties. A halt was observed in 1988-89 after the posthumous revelations about Paul de Man's past in Belgium and Derrida's embattled defense of his friend. Today, in France, one often hears that "Derrida a fait l'Ecole mais n'a pas fait ecole," meaning that Derrida passed the entrance examination of the prestigious Ecole Normale Superieure where he taught for a long time, where he met Paul Celan, Louis Althusser, Michel Foucault and many other luminaries, whereas he never had a real "school" in France-no real institutional backing beyond the various Parisian places at which he taught later, or those that he founded like the College de Philosophie; his following constituted of young philosophers, only a few of whom became university professors in their turn and disseminated his teachings. However, the mechanisms of power within the French university remained closed to Derrida until the end; besides, he wanted to prevent the stereotyped reproduction currently observed from master to disciple. (shrink)